See Marieke de Winkel, Fashion and Fancy: Dress and Meaning in Rembrandt’s Paintings (Amsterdam, 2006).
Ronni Baer, “The Paintings of Gerrit Dou (1613–1675),” 3 vols. (Ph.D. diss., New York University, 1990), no. 34.
For the Norton Simon painting, see Ronni Baer, “The Paintings of Gerrit Dou (1613–1675),” 3 vols. (Ph.D. diss., New York University, 1990), no. 35; Amy Walsh, Northern European Paintings at the Norton Simon Museum (New Haven and London, forthcoming 2013), no. 20.
Illustrated in Ronni Baer, Gerrit Dou, 1613–1675: Master Painter in the Age of Rembrandt, ed. Arthur K. Wheelock Jr. (Exh. cat. Washington D.C., National Gallery of Art; London, Dulwich Picture Gallery; The Hague, Mauritshuis) (Washington D.C., 2000), nos. 14, 16; see also no. 7.
Eddy De Jongh, Portretten van echt en trouw (Zwolle, 1986), 138–40.
Ian Tyers, dendrochronological report, November 2010.
Infrared reflectography was performed at unknown parameters.