U.S. Exhibitions

The year 2024 marks the 400th anniversary of the founding of Fort Orange, the first permanent Dutch settlement that developed into the present-day city of Albany. To commemorate this milestone, The Leiden Collection has organized, with the Albany Institute of History & Art, the exhibition Delights of the Senses: Seventeenth-Century Dutch Art and Life, Featuring Paintings from the Leiden Collection.

Delights of the Senses presents paintings and objects that evoke the senses of sight, smell, hearing, taste, and touch in seventeenth-century Dutch culture. On view are paintings of everyday life by Dutch artists such as Gerrit Dou (1613–1675), Jan Steen (1626–1679), and Gabriel Metsu (1629–1667) alongside material culture items similar to those depicted in the paintings. Displayed together, these paintings and objects invite viewers to imagine daily moments in an earlier time—whether it be an encounter with lively music, the feel of soft fur, the fragrance of a bouquet, or the bite of a hoppy glass of beer—as they were perceived not just through the eyes, but all the senses.

In addition to twenty paintings from The Leiden Collection, Delights of the Senses includes several prints from the Frances Lehman Loeb Art Center at Vassar College, along with objects from First Church, Albany, Friends of Historic Kingston, Historic Huguenot Street, Historic Hudson Valley, the New York State Museum, and the rich holdings of the Albany Institute.

Delights of the Senses was curated by Diane Shewchuk and W. Douglas McCombs, The Albany Institute of History & Art, and Elizabeth Nogrady with Annie Correll, The Leiden Collection.

This exhibition is accompanied by a 100-page, full-color illustrated exhibition catalogue: Elizabeth Nogrady and Diane Shewchuk, eds. Delights of the Senses: Seventeenth-Century Dutch Art and Life. Featuring Paintings from The Leiden Collection. Exh. cat. Albany, Albany Institute of History & Art. Albany, 2024.

Women and letters feature prominently in Dutch genre paintings from the second half of the seventeenth century. Captivating images show women reading, writing, and receiving letters, often in the company of books, and exchanging ideas with present or absent companions. Although the contents of these missives are rarely legible, they invite curiosity and contemplation, drawing the beholder into intimate, domestic spaces. Such scenes emphasize women’s engagement with the written word and demonstrate a remarkable interest in representing their intellectual lives.

The popularity of epistolary themes in Dutch genre painting reflected a rise in the use of personal correspondence—particularly in the exchange of love letters—among the Dutch upper classes in this period, as well as advances in the postal system and the publication of letter-writing manuals. Rather than situating these scenes exclusively within the tradition of amorous correspondence, however, this exhibition explores how an exceptional group of eight genre paintings by Gabriel Metsu, Frans van Mieris, and Gerrit Dou contributed to—and challenged—various societal ideas surrounding women’s education, literacy, and learning. Drawn from the Timken Museum of Art and The Leiden Collection, these works display a striking modernity in their representation of women, showing them as active participants in a wider cultural sphere.

Exchanging Words was curated by Lara Yeager-Crasselt, The Leiden Collection.

Changing Forms: Metamorphosis in Myth, Art, and Nature, 1650–1700 explores the rich and varied concept of metamorphosis—with links to art, myth, science, and the exchange of knowledge—in the late seventeenth-century Netherlands. The paintings, drawings, prints, and illustrated books include renderings of Ovid’s Metamorphoses by Godefridus Schalcken, Willem van Mieris, and Samuel van Hoogstraten, as well as Virgil Solis, Abraham Bloemaert, and Hendrick Goudt. Related to the theme of transformation were also Dutch publications that explore biological metamorphosis, seen in the lavishly illustrated insect studies by Johannes Goedaert, Jan Swammerdam, and Maria Sibylla Merian. These early scientific treatises reflect a profound shift in the understanding of the natural world and its relationship to myth and imagination. Lenders to the exhibition were Vassar College, Cornell University, Bard College, Lehigh University, and The Leiden Collection.

Changing Forms was curated by Lara Yeager-Crasselt, The Leiden Collection, and Elizabeth Nogrady, The Frances Lehman Loeb Art Center, Vassar College.

This exhibition is accompanied by a catalogue: Elizabeth Nogrady and Lara Yeager-Crasselt. Changing Forms: Metamorphosis in Myth, Art, and Nature 1650–1700. Exh. cat. Poughkeepsie, New York, The Frances Lehman Loeb Art Center, Vassar College. Poughkeepsie, New York, 2021.

An Inner World: Seventeenth-Century Dutch Genre Painting explores Dutch artists’ interest in depicting figures in interior spaces and in moments of contemplation or quiet exchange. The show features exceptional paintings by artists working in or near the city of Leiden, including nine paintings from The Leiden Collection and one painting from the Clark Art Institute. Among the artists represented are Gerrit Dou, Gabriel Metsu, Willem van Mieris, and Jacob Toorenvliet. The exhibition also includes rare seventeenth-century books from Penn’s Kislak Center for Special Collections, Rare Books and Manuscripts.

An Inner World was curated by Lara Yeager-Crasselt, The Leiden Collection, and Heather Gibson Moqtaderi, Arthur Ross Gallery.

This exhibition is accompanied by a catalogue: Heather Moqtaderi and Lara Yeager-Crasselt, eds. An Inner World: Seventeenth-Century Dutch Genre Painting. Exh. cat. Philadelphia, Arthur Ross Gallery, University of Pennsylvania. Philadelphia, 2021.